Netflix
Aap Jaisa Koi
Release promo for the Netflix title, shot in 4K and cut for the platform's launch beat — a piece that had to work as a trailer, a social cut and a press asset from one master.
View the filmFilmmaker — India & worldwideMumbai
Anirban Banik — filmmaker for commercials, series & branded films
Commissioned by
Netflix
Anupam Kher
Portrait Film
Marie Motorov
Shot on the coast at the end of the day, cut long and quiet so the light does the work.
View the filmWhat I shoot
Commercials & brand
The Film
A single, finished brand film — built from a pre-production conversation through to the graded master. Shot on cinema glass, cut for the campaign, and delivered in every ratio the release needs. For brands who want one piece that carries the whole idea.
Series & behind the scenes
The Set
Full coverage across a shoot day or a release cycle — promos, teasers, and the behind-the-scenes films that live alongside them. Built to move between a streaming platform, a press cycle, and a feed without losing its shape.
Social & vertical
The Feed
Fast, native, vertical work — often shot on iPhone, always cut for the platform it lives on. Made for brands and talent who need volume without the polish dropping. Quick to shoot, quick to turn around, built to keep attention.
Weddings
Wedding filmsComing soon
Wedding work shot the way the rest of this is shot — documentary coverage with an editorial eye, cut as a story rather than a highlights reel. The films are being finished now.
Ask about a dateShoot it so the frame still means something with the sound off.
Anirban Banik