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Murder — Reel.
Series
A period drama cut with heavy practical light and long lenses, graded cold to sit against the warmth of the interiors.
Period work asks you to light with what the era would plausibly have had. The coverage leans on heavy practical light — sources that exist in the room and read as belonging to it — with long lenses compressing the space behind the actors.
Graded cold against the warmth of the interiors, so the picture holds a tension between what the room feels like and what the scene feels like. Shot as DOP, working to the director's blocking.